Thursday, October 30, 2008

How a surrogate 'Dad' taught me to run, and lifted us all in the inner city.

I went to Middle School and part of High School in Seattle's south side, bussed into the inner city. In eighth grade I ran cross country, pounding the pavements and parks of south Seattle as our legs ate up the miles in fall conditioning. In ninth grade I ran track, and received the great gift of a coach I will never forget.

Rocky Adams stood about six-foot-two, with a big belly and grizzled silver and black hair. In his sixties, he’d been through segregation in Alabama where he’d been made to use ‘colored only’ washrooms. He’d run track in the Olympics on the same team as Jesse Owens, and talked about Jesse like he was just around the corner, or a phone call away.

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I don’t think there was a single girl on our team who had a father living at home, including me. Somehow, they’d divorced or died or drifted away. So Rocky became OUR father, the father of every girl on that team.


I remember how we’d drift out onto that red cinder track after school, and gather in a little cluster around Rocky. Every girl gave him a hug. It wasn’t like Rocky asked for hugs. We just went up to him and put our arms around his big belly and we hugged him for all the father we could get.


Some girls would hang on him, and he’d have to peel them off and before sending us all around the track. “I have a headache Rocky,” we’d complain, buying time, or “I’ve got pains,” and he’d get stern: "Your head hurts, your belly hurts, next thing your hair is goin’ to hurt! When I was guardin' them women in Korea, suddenly they’d go off in them bushes, and come back with a baby half an hour later! And you tell me you can’t get round that track?!”


Rocky worked at a sports store, and he never let a girl or boy go without the spiked shoes we needed to run our races. He made it clear, if you didn’t have the money for a bag, or Bengay, or a new set of spikes, he’d get them for you.



Years later I wondered how much of his own money he’d spent on those shoes. At the time I thought they were magical, free, but now I understand he must have sacrificed for us, like a good father would. He lectured us tactfully on athletic wear, that a good bra would improve our performance – go buy one. He drew the line at supplying those.



With his stories of Jesse Owens, with his chiding, he encouraged the girls to stay in school and the boys to give their best. Don’t get pregnant, he told the girls, but he didn’t shame or shun when one girl did and had to leave the team.



As a fatherless girl, I counted on my hugs from Rocky. He gave me unconditional love and support for all the years I ran track with him, at school and during club in the summers when I’d take the bus across town to practice, even though I never came in first, not once. I am grateful to have lived in a window of time when he could hug us like a father, and we could respond like daughters.



When I look at Barak Obama, I hear in my mind some of Rocky’s stories about growing up in the south, and I definitely hear how proud he would be, just like he was so proud of Jesse Owens. Rocky’s stories of Jesse lifted up those inner city girls and boys, gave them a shot at a new horizon.


What if people who are weakened by despair and limited options suddenly find strength through Obama’s leadership? Won’t it be a wonderful thing for our nation if everyone became stronger? That everyone feels they have a chance? What if the despair of the inner cities is suddenly lifted by hope, and the talent and beauty and life there has reinforcement for creating positive patterns?

Wednesday, October 29, 2008

IWWG Conference

Got up at 3.30 am with my friend Reg to get a plane for 5, to be on a subway at 8 to be at the conference by 10am, to find there's no tea or coffee at IWWG. We listened, famished, to the opening speakers, then ducked out to Maloney's bar and I had an "Irish" breakfast. Sorry Maloney's, and the homesick Irish chap who served us, but it was really the Full English - 2 eggs, 2 bangers, 2 rashers, tomato, black & white puddings, tea, toast, orange juice. Everything except the baked beans, porridge and fried bread. An obnoxious man at the bar kept on talking loudly about OJ Simpson decapitating his wife "DO YOU KNOW WHAT THAT MEANS? HE DID IT WITH A KNIFE" until the barman asked him to "stop talking about what you're talking about."

Reg and I rehearsed our pitches for the 6th time each, and headed back to the hall to listen to the agents' panel.

The night before, my daughter did our nails, made sure we had adequate makeup, went through our wardrobe picks, sorted, discarded and added, checked our jewelry and made sure we'd look our best. With stunning prescience, she made us write down on cards what qualities we were looking for in an agent, and then told Reg: don't expect the person who's right for you will necessarily be a woman.

IWWG put on a lovely panel of agents. Because the group has a focus on spirituality, they'd picked several agents who seemed to be a good fit for me. We stood in two-hour lines at tables to meet our top picks, but it was worth it. I felt very at ease with the woman who asked me to submit my work. In my exhausted, befuddled state I still managed to give the book's synopsis and my platform, thanks to the morning's practice with Reg - who stood in line to see the only man there.

We bought a copy of "Next to Mexico" from the author Jen Nails, a book I'd actually picked up in Barnes and Noble the week before, thinking it would be a good choice for my daughter.

We also bought a book from Natalie Reid, who does 'soul readings' and helps people work with their soul's voice through her book The Spiritual Alchemist: Working with the Voice of the Soul. Natalie holds workshops at the IWWG annual conference at Strathmore. I'd love to go in June, but that's a busy time for my chicken, bee and garden operation, and I plan on pasturing 100 chickens this year - a substantial increase from 20.

What I loved about the panel of writers who spoke to us in the morning, was their diverse means of publishing. This used to make me feel very scared: "if there are so many more books being published, who will ever buy mine?" I wondered. But I see it differently now.

The publishing industry has opened up in such a huge way that everyone has access to some level of publication. Instead of a dozen carefully tended, clipped and sheltered rosebushes, there are fields of wildflowers blooming across the earth - in blogs, e-books, self-publishing or traditional publishing houses.

It gives authors access to publication according to their skill level and their desire to be published. So a person who just wants to get an idea out there could blog; develop the idea into an e-book and sell it; get it bound with artword and promote it as a self-published work; or try to really take it to a highly-developed, highly-polished level and submit it to an agent or a publishing house.

I do see writing and publishing as soul development now. This takes out the competitive element with other authors and writers. Instead of "my book - what have you written?" it's "how are you developing your soul?" or "what does your soul want to express?" Also, "what feeds my soul?" and for blocked writers, "how do I get in touch with my soul?" And ultimately, it's always:

"what makes my soul sing?"

Thursday, October 16, 2008

New York - new pitch

After working for a year on platform by creating the radio show Conscious Voices for WCRS, I'm back to novels and brushing up a final final version of Novel 3 to sell in New York. The International Women Writer's Guild (IWWG) holds a pitch session this weekend. Sunday there is a meet-the-authors open house, a book fair, and then a meet-the-agents open house. The blurb promises that past events have "yielded wonderful matches between authors and agents."

A friend and I are travelling up together on a 4am flight, (OMG - that's before my rooster is even up) and we plan to practice-pitch to our local IWWG chapter the day before.

Why is it taking so long to get novel 3 out the door? Last year at the Columbus Writer's Conference I had a session with editor Sally Kim, and she encouraged me to get in touch with several agents. But after listening to editors and agents talk about their needs, I felt that I had to back up and construct more of a platform. I dove into creating a radio show for WCRS fm. Twenty-two episodes later felt I'd earned a break, and that it was overdue time to get that novel once again into position for an agent.

A girl can only do so much!

When it's my turn to sit in front of an agent, I'll tell her that Sally did want to see my book, when I'd found someone who could talk to her. (Some editors in the big publishing houses can't talk to writers unless the writer has an agent.)

The trainer at the gym had the nicest thing to say to me when I told her I'd be going to New York. "I wish you luck - you deserve it. You work so hard at it."

Maybe that's why I feel so calm going into this. I've done the hoofwork. The novel's been combed through 13 times. I've had a professional editor comment on the manuscript, and taken her advice to heart in the subsequent redrafts. I've taken time to build the platform and labored over designs for the final website. Is it worth it? Has it been worth it? Yes.

When the conference is over, when my plane touches ground back in Columbus, if I don't find a match at IWWG I'll start contacting agents one by one until I find that right someone. In the meantime, I'll begin novel 4. I'll record a show. I'll be starting on the promotion for the NFSH Healing in America training courses in Ohio in March 2009. And it will all come together eventually, and it will all be good.